| Publications |
PUBLICATIONS (*forthcoming)
Monographs
2017 The Classical Debt: Greek Antiquity in an Era of Austerity. Harvard University Press/Belknap
Press. Pp. xiv + 337; ISBN 978-0674971547.
2014 Lycurgan Athens and the Making of Classical Tragedy. Cambridge University Press (UK), series
Cambridge Classical Studies. Pp. xiv + 280; ISBN 978-1107062023. Paperback 2017; ISBN 978-
1107697508.
Edited volume
2016 Ed. with Richard Fletcher. Creative Lives in Classical Antiquity: Poets, Artists and Biography.
Cambridge University Press (UK), series Cambridge Classical Studies. Pp. ix + 373 ISBN 978-
1107159082. Introduction: J. Hanink and R. Fletcher, “Orientation: What we mean by
‘creative lives’” (pp. 3-28).
Journal articles
2015 Why 386 BC?: Lost empire, old tragedy, and reperformance in the era of the Corinthian
War, Trends in Classics 7.2 (special issue: Reperformances of Drama in the Fifth and Fourth Centuries
BC, ed. A. Lamari), 277-96.
2014 The Great Dionysia and the end of the Peloponnesian War, Classical Antiquity 33.2, 319-46.
2013 Epitaphioi mythoi and tragedy as encomium of Athens, Trends in Classics 5.2, 289-317.
2011 Aristotle and the tragic theater in the fourth century BC: a response to Jennifer Wise,
Arethusa 44.3, 311-328.
2010 The epitaph for Atthis: a late Hellenistic poem on stone, Journal of Hellenic Studies 130, 15-34.
2010 The Life of the author in the letters of ‘Euripides’, Greek, Roman & Byzantine Studies 50.4,
537-64.
2008 Literary politics and the Euripidean vita, Cambridge Classical Journal 54, 115-35.
Chapters in edited volumes
*2018 “Pausanias’ dead poets society,” in Tombs of the Poets: Between Text and Material Culture, eds. B.
Graziosi and N. Goldschmidt. Oxford: Oxford University Press.
*2018 “Scholars and scholarship on tragedy,” in A Twilight World? Greek Tragedy after the Fifth
Century, eds. V. Liapis and A Petrides. Cambridge: Cambridge University Press.
2017 “Knowledge transmission: media and memory,” in A Cultural History of Theatre. Volume I: A
Cultural History of Theatre in Antiquity (500 BCE-500 CE), ed. M. Revermann. London:
Bloomsbury Academic/Methuen Drama, 181-95.
2017 “Archives, repertoires, bodies and bones: thoughts on reperformance for classicists,” in
Imagining Reperformance in Ancient Culture: Studies in the Traditions of Drama and Lyric, eds. R.
Hunter and A. Uhlig. Cambridge: Cambridge University Press, 21-41.
2016 “Anonymous: The epitaph for Atthis (SGO I 01/01/07),” in Hellenistic Poetry: A Selection, ed.
D. Sider. Ann Arbor: University of Michigan Press, 3-7.
2016 (With Anna Uhlig) “My poetry did not die with me: Aeschylus and his afterlife in the
Classical Period,” in The Reception of Aeschylus’ Plays through Shifting Models and Frontiers, ed. S.
Constantinidis. Leiden: Brill, 51-79.
2016 “What’s in a Life? Some forgotten faces of Euripides,” in Creative Lives in Classical Antiquity:
Poets, Artists and Biography, eds. R. Fletcher and J. Hanink. Cambridge: Cambridge University
Press, 129-46.
2014 “Literary evidence for new tragic production: the view from the fourth century,” in The
Greek Theatre in the Fourth Century BC, eds. E. Csapo, J.R. Green and P. Wilson. Berlin: De
Gruyter/German Archaeological Institute, 189-206.
2014 “Crossing genres: comedy, tragedy, and satyr play,” in The Oxford Handbook of Ancient
Comedy, eds. A.C. Scafuro and M. Fontaine. Oxford: Oxford University Press, 258-77.
2010 “The classical tragedians, from Athenian idols to wandering poets,” in Beyond the Fifth
Century: Interactions with Greek Tragedy from the Fourth Century BCE to the Middle Ages, eds. I.
Gildenhard and M. Revermann. Berlin: De Gruyter, 39-67.
Literary translations
2017 Konstantinos Poulis, “The Leonardo DiCaprio of Exarcheia,” short story from Ὁ
Θερμοστάτης [Thermostat] (Melani Editions, 2014). InTranslation, December, 2017.
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