(1) Homeric poetry (2) Greek oral traditions (3) Greek tragedy (4) textual criticism

“Mothers-in-Arms: Soldiers’ Emotional Bonds and Homeric Similes” (with Mary Ebbott). War, Literature & the Arts 24 (2012).

“Homeric Scholia and the Multitextuality of the Iliad” (with Mary Ebbott). In V. Bers, D. Elmer, and L. Muellner, eds. Donum natalicium digitaliter confectum Gregorio Nagy septuagenario a discipulis collegis familiaribus oblatum: A Virtual Birthday Gift Presented to Gregory Nagy on Turning Seventy by his Students, Colleages, and Friends. Center for Hellenic Studies, 2012.

“Maneuvers in the dark of night: Iliad 10 in the twenty-first century.” In F. Montanari, A. Rengakos, and C. Tsagalis, eds., Homeric Contexts: Neoanalysis and the Interpretation of Oral Poetry. Walter de Gruyter, 2012 (165 -173).

“Lament as Speech Act in Sophocles.” In K. Ormand, ed., A Companion to Sophocles. Oxford: Blackwell, 2012.

Iliad 10 and the Poetics of Ambush: A Multitext Edition with Essays and Commentary (with Mary Ebbott). Cambridge, MA: Harvard University Press, 2010.

“Agamemnon’s Densely-packed Sorrow in Iliad 10: A Hypertextual Reading of a Homeric Simile.” In C. Tsagalis, ed., Homeric Hypertextuality. Trends in Classics 2 (2010): 279-299.

Recapturing a Homeric Legacy: Images and Insights from the Venetus A Manuscript of the Iliad (ed.).Cambridge, MA: Harvard University Press, 2009.

The Homer Multitext Project (ed., with Mary Ebbott). Center for Hellenic Studies, on-going.

“Digital Criticism: Editorial Standards for the Homer Multitext.” Digital Humanities Quarterly 3.1 (Winter, 2009).

“Digital Images of Iliad Manuscripts from the Marciana Library” (ed.,with Christopher Blackwell, Mary Ebbott, and Neel Smith). First Drafts@Classics@ (10/2007).

“Oral Poetics and the Homeric Doloneia” (with Mary Ebbott). First Drafts@Classics@ (edition of 7/11/2007).

“Learning Lessons From The Trojan War: Briseis and the Theme of Force.” College Literature 34 (2007): 229-262.

"The Invention of Ossian." Classics@ 3 (2006).

The Captive Woman's Lament in Greek Tragedy. Austin: University of Texas Press, 2006.

“Homer's Post-Classical Legacy.” In J. M. Foley, ed., A Companion to Ancient Epic. Oxford: Blackwell, 2005.

“Achilles, Mother Bird: Similes and Traditionality in Homeric Poetry.” Classical Bulletin 81 (2005): 3-18.

“Illuminating the Classics with the Heroes of Philostratus” (with Gregory Nagy). In E. Aitken and J. Maclean, eds., Philostratus: Heroikos, Religion, and Cutural Identity. Atlanta, Ga.: Society of Biblical Literature, 2004.

“Amor, pérdida, y nostalgia in Los persas de Eschilo.” In A. M. G. de Tobia, ed., Ética y Estética. De Grecia a la modernidad. Universidad Nacional de La Plata, Argentina, 2004.

“As Many Homers As You Please: An On-line Multitext of Homer.” (with Mary Ebbott). Classics@ 2 (2004).

“What is Oral Poetry? Ancient Greek Oral Genres.” Oral Tradition 18 (2003): 62-64.

“Preliminaries to Philostratus' On Heroes” (with Gregory Nagy). In E. Aitken and J. Maclean, eds., Philostratus: On Heroes. Atlanta, Ga.: Society of Biblical Literature, 2003.

Homeric Variations on a Lament by Briseis. Lanham, Md.: Rowman and Littlefield Press, 2002.

“Achilles’ Golden Amphora in Aeschines' Against Timarchus and the Afterlife of Oral Tradition.” Classical Philology 96 (2001): 33-47. [Reprinted in Greek Literature, Volume I: The Oral Traditional Background of Ancient Greek Literature. ed. G. Nagy. New York: Routledge, 2001.]

“Sunt Aliquid Manes: Homer, Plato, and Alexandrian Allusion in Propertius 4.7.” Classical Journal 96 (2001): 401-413.

(ed., with Mary Ebbott and Dimitrios Yatromanolakis) Homer and the Papyri. Center for Hellenic Studies, 2001-present.

“Tragic History and Barbarian Speech in Sallust's Jugurtha.” Harvard Studies in Classical Philology 100 (2000): 311-325.

“Poetry and the Demos: State Regulation of a Civic Possession.” Stoa Consortium (2000). [Reprinted in Greek Literature, Volume V: Greek literature in the Classical period: The Prose of Historiography and Oratory. ed. G. Nagy. New York: Routledge, 2001.]

"Performance and Performer: The Role of Tradition in Oral Epic Song." Milman Parry Collection (1999).